Selected Recordings

For a complete list of concert works see the “Works” section of this website.

 

Four Bloomings of Spring (2021)

For Flute/Piccolo, Recorder, Tin Whistle, Clarinet, Bagpipes, Trumpet, Trombone, 3 Pianos, 2 Acoustic Guitars, Banjo, 3 Sopranos, Violin, Viola, Cello, String Bass

Premiered by the faculty of the Middlebury Community Music Center, April 16, 2021 in a virtual performance.

 
 

Closed Circuit Cataclysm (2019)

For Alto Saxophone, Violin, and Piano.

Premiered by participants of the 2019 New Music On the Point festival, June 17, 2019 in Salisbury, VT.

 
 

For Soprano, Flute, Oboe, Bass Clarinet, Piano, and Percussion. Performed by Fonema Consort on April 29, 2019 at Symphony Space, New York, NY. A huge thank you to the performers, and to Bethany Younge, John Rot, and Georg Friedrich Haas for guidance and feedback throughout the composition process. The text is fragments from a poem by Susan Howe, from her collection "Periscope." Program Note: This piece is a reflection of my recent interest in superimposition, disruption, and fragmentation. To compose it I began by writing four shorter pieces with fairly distinct musical characters. I then physically cut the scores into shards and began to assemble the piece from those fragments, collaging, superimposing, and obscuring the original material. The hope is that the listener will experience both recognition and uncertainty as familiar sounds appear, reappear, distort, and collide.

Velo, Vento, Voce (2019)

For Soprano, Flute, Oboe, Bass Clarinet, Percussion, and Piano.

Premiered by Fonema Consort, April 29, 2019 at Symphony Space, New York, NY.

Text drawn from fragments of a poem from Susan Howe’s collection “Periscope.”

 
 

Whether We Spoke (2018)

For Soprano and Contrabass.

Premiered by the International Contemporary Ensemble, December 9, 2018 at the Columbia Italian Academy, New York, NY.

Text drawn from fragments of various poems by Susan Howe, from her collection “Tom, Tit, Tot.”

 
 

For Baritone, Trumpet, Trombone, and Bass Clarinet, performed by loadbang June 15, 2018 at the Longy School of Music, Boston, MA. An enormous thank you to the performers, and to Jeremy Van Buzkirk, Amy Beth Kirsten, and everyone at Longy's Divergent Studio 2018.

Out of Sight (Out of Mind) (2018)

For Baritone, Trumpet, Trombone, and Bass Clarinet.

Premiered by loadbang June 15, 2018 at the Longy School of Music, Boston, MA.

Composed for Divergent Studios at Longy School of Music, 2018 session.

 
 

For Violin, Viola, Cello, and Bass Clarinet (doubling Eb Clarinet), performed by counter)induction April 26, 2018 Symphony Space, New York, NY. Many thanks to the performers, and to Ashkan Behzadi, William Dougherty, and Georg Friedrich Haas for guidance and feedback throughout the composition process. For full effect the musicians should be placed in an arc around the audience.

Morning, Winter 2017 (2018)

For Violin, Viola, Cello, and Bass Clarinet (doubling Eb Clarinet).

Premiered by counter)induction April 26, 2018 Symphony Space, New York, NY.

 
 

Electronic composition recorded and mixed by Simon Broucke.

Vocalizations (2018)

For fixed media.

Premiered February 20th, 2018 at Prentis Hall, Columbia University, New York, NY.

 
 

Duet for Trumpet and Soprano, using text from Dylan Thomas' "Fern Hill." Performed by David Acevedo (Trumpet) and Bethany Younge (Soprano) on 11/30/17. A huge thank you to the performers and to Prof. Zosha Di Castri for her help throughout the composition process!

Green and Golden (2017)

For Soprano and Trumpet

Premiered by David Acevedo (Trumpet) and Bethany Younge (Soprano) on November 30, 2017.

The text is a fragment from Dylan Thomas' "Fern Hill."